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CIRCA 86  — A Tumultuous Time for the Arts

by Abby Luby

There is a great mystique about art collectors. Why are they driven to seek out and purchase art?  Is it to embellish the living room wall? An investment? Or is it passion for creative energy?

It’s all of these.

Art shown in the all-​​encompassing art show “CIRCA 1986″ at the Hudson Valley Center for Contemporary Art (HVCCA) in Peekskill, exemplifies the fruits of ardent collectors who in the 1980s, looked beyond the monetary value of art and purchased what they were drawn to.

It was a groundbreaking time in the art world when a spate of excited art collectors scooped up daring new work that now, a quarter of a century later, is recognized as prescient. Of those who who sought work by emerging, “hot” artists were Livia and Marc Straus, the founders of HVCAA.

These works were cutting edge,” says Livia Straus. “It was revolutionary and [the work] laid the groundwork for what came later.”

Livia Straus with Fischer RMF2031

Livia Straus of HVCCA next to RMF2013 by RM Fischer at HVCCA in Peekskill

CIRCA 86″ shows 65 artworks by 47 international artists and many are well known. Artists included are Elizabeth Murray, Robert Mapplethorpe , Jenny Holzer, Jeff Koons Damien Hirst, Julian Schnabel, Anselm Kiefer, Jessica Stockholder, Rick Prol, Sarah Charlesworth, R.M. Fischer, Jonathan Borofsky, Sherrie Levine and Gilbert & George.

"Aborignine" by Julian Schnabel

Aborignine” by Julian Schnabel at HVCCA in Peekskill

This great overview of an era formally presents each piece in the museum’s wonderfully spacious and well lit space. At the HVCAA entrance is Jeff Koon’s “Two Ball 50/​50 Tank” where two Spaulding basket balls float side by side in distilled water in a glass tank. Half submerged, these balls are misplaced objects that we usually see zipping around the gym. But here, eerily still and bisected by the water line we get multiple reflections redolent of cubism. Julian Schnabel’s “Aborigine Painting” (1980), an earlier work that heralds his signature use of broken plates, creates a crusty, fragmented, turbulent surface, infused by swirls of purple and orange on one side of the canvas and observed quietly by a squatted man painted on the other. The same jaunty energy bounces off “Kissing The Wall #5″ (1990) by Jessica Stockholder — a wild and fun sculpture of converging, painted objects.

During the 1980’s artists were experimenting with all sorts of materials. Straus says she and her collector colleagues were excited to witness this new, fresh energy where anything was possible. “It was all part of the energy of that particular moment. Artists were producing every kind of art. We bought the work because we responded to it instantly and viscerally.”

Jeff Koons_TwoBalls

Two Balls” by Jeff Koons at HVCCA in Peekskill

Circa 86″ is also a testimonial to the social connection collectors  developed with the artists. Because they purchased the work with their heart and not as an investment, friendships  between collectors and artists grew.  But the decade was a tumultuous one that began with new, creative optimism and a solid economy — when a Jasper Johns’ painting “Out the Window” sold for an unprecedented $3.6 million. Similar sales at the time by museums or corporations catapulted unknown artists into the limelight. But the economic boon ended abruptly the following year with crash of Black Monday. Many known artists rode out the recession, others weren’t so lucky. It was also the advent of AIDS, which claimed the lives of numerous artists in all creative fields including Keith Haring, Robert Mapplethorpe (three of his photographs are in the show) and David Wojnarowicz (his collage “Excavating the Temple of the New Gods” is in the show), to sadly mention a few. Straus reflects on the remorse she and her friends experienced when artists they had befriends died and for those who struggled to keep working.

Gladly, women artists are well represented in this show. The lyrical and zany wall sculpture “True Air” (1988) by Elizabeth Murray is a delight to see. Murray died in 2007, just two years after her major retrospective at the Museum of Modern Art. A few pieces by Sarah Charlesworth, the well known conceptual artist and photographer, includes “Buddha of Immeasurable Light,” the quintessential meditative, photo diptych.

"True Air" by Elizabeth Muarry

True Air” by Elizabeth Muarry at HVCCA in Peekskill

Spinning out of “Circa 1986″ are two shows: Redux: Rick Prol, A Retrospective Look and Redux: R. M. Fischer: Current Works, both worth seeing before they also close at the end of the month.  Prol’s paintings boast three-​​dimensional add-​​ons such as broken windows and scrap pieces of wood framing the canvas. R.M. Fisher’s colorful and playful sculptures both fascinate and beguile.

The show was curated by John Newsom, a New York based painter, Nicola Trezzi, an editor of Flash Art International and Astrid Honold, Director of OFFICE For Contemporary Art in Amsterdam. The well organized catalogue includes illuminating excerpts of discussions with the collectors and essays by the curators. The foreword is by HVCCA Board Chairman, Marc Straus.

CIRCA 1986″  Runs through to the end of July 2012

HUDSON VALLEY CENTER for CONTEMPORARY ART
1701 Main Street, Peekskill, NY 10566

914 – 788-​​0100 | www​.hvcca​.org

Featured image, “Buddha of Immeasruable Light” by Sarah Charlesworth

Abby Luby, author of the recently published e-​​​​book Nuclear Romance, has been in the field of communications for over 20 years and a journalist just over 10. She has a Bachelor’s degree in Communications/​​Music from Indiana University and attended the High School of Music and Art in New York City. She is a freelance journalist for The New York Daily News, a regularly featured art critic for the Stamford Advocate/​​Greenwich Time and for the past five years has written for The Hudson Valley Table, a quarterly food magazine. Ms. Luby has contributed several articles on art events, gallery openings and artists in the Hudson Valley region to Roll Magazine. www​.abbylu​.com

 

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