I Love My Wife at The Center at Rhinebeck
by Jay Blotcher Peter Aaron

...But this is a show from mainstream showmen Michael Stewart and Cy Coleman, whose contributions to American musical theater include Bye Bye Birdie, Hello, Dolly!, Sweet Charity and Mack & Mabel.

For those ticket holders expecting bisexual co-minglings, the genteel title of the musical should undermine any lascivious notions. Perhaps the show’s message of extramarital coitus interruptus has more in common with our current neoconservative era than we would like to believe.

“If you look at most popular shows like Cabaret—threesomes— and Chicago—murder, infidelity—this subject matter is much more tame,” said di Grandi, whose Up In One Productions has mounted the show.

The libidinous quartet sporting maxi-skirts and polyester shirts includes Cat Messing as Monica, Jeffrey Stults as her husband Wally, Terry Weaver as Alvin and Joy Covert as his wife Cleo.

Known more for staging Shakespeare tragedies and Method actor classics, Gregio (also a scholar of the Bard) is happy to switch gears. “There is nothing about this musical that has any heavy dramatic type of material. It‘s all about laughing and having a good time.”

The show is anything but offensive; it sides with the wallflowers. The nebbishness of the leads and their corny dialogue keeps the situation light. I Love My Wife is a lighthearted crowd pleaser, trafficking in corny wit and resolutely steering clear of the bitter truths that made Company an accurate report from the front in the war between the sexes.

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